80s
Favorite 100 Songs of the 80s: (#14) Wham – Careless Whisper

I never realized I was that big a Wham fan until now, as a second of their songs (kind of theirs) have landed inside the Top 20 of my countdown.
Oh well, shit happens.
If you want to be technical, Careless Whisper actually in United States was credited as “Wham featuring George Michael”, but we’re not trying to be technical. Sure, Michael sings exclusively (his Wham! bandmate, Andrew Ridgely would leave the stage when they would sing this on tour) but I don’t care—it’s still Wham’s song to me.
I loved Careless Whisper, even though I was just 13 when it was released and had no girlfriend to cheat on with an older woman (as the video depicts).
Michael confirmed the song he co-wrote (with Ridgely) had no personal truth for him either at that time (he was only 17 when he wrote it) and that the lyrics were s fictitious. Via Songfacts.com, Michael said in a 2009 interview with The Big Issue “I’m still a bit puzzled why it’s made such an impression on people… Is it because so many people have cheated on their partners? Is that why they connect with it? I have no idea, but it’s ironic that this song – which has come to define me in some way – should have been written right at the beginning of my career when I was still so young. I was only 17 and didn’t really know much about anything – and certainly nothing much about relationships.”
Careless Whisper is everything a slushy pop song from this decade was supposed to be — an unforgettable chorus forever on loop in your brain, mixed in with hauntingly sexy saxophone riffs. Seriously, I can’t overstate how cool the sax theme is literally from the first note…. and for a cheesy pop tune Wham’s lyrics are unexpectedly solid.
Truthfully, even though Careless Whisper is a song about a dude who fucks up by cheating, as I got older I used it as my general failed-relationship depression theme tune. If I had a dollar for every night I spent as a teen disheartened over a girl while playing this on repeat accompanied by my less-than-stellar vocals, I’d have had enough money to buy myself something nice.
Perhaps this ritual lasted well beyond my teens—I refuse to confirm or deny.
Semi-joking aside, this was a monster sized successful “sad” song of the 80s—one of the very best and deep personal favorite of mine.
Chart Success: There’s few songs of the decade that enjoyed more commercial success than Careless Whisper. It rose all the way to number-one on the Billboard Hot 100 and stayed there for three weeks before getting knocked off by REO Speedwagon’s “I Can’t Fight This Feeling.” It stayed on the charts for 22 weeks and finished 1985 as the number-one song on the Billboard Hot 100.
Great Lyrics: Clear your throat and sing along loudly as we reach the song’s climatic point… You know you want to.
“Tonight the music seems so loud
I wish that we could lose this crowd
Maybe it’s better this way
We’d hurt each other with the things we’d want to sayWe could have been so good together
We could have lived this dance forever
But no one’s gonna dance with me
Please stay”
Fun Facts: The hard rock group Seether did a cover version of Careless Whisper, one I do not like at all. They said an interview with Songfacts that “Basically, it’s a love song written by a gay man, and they wanted us to do a Valentine’s Day song for iTunes, and we said, ‘Well, let’s pick a gay love song. But we love the song. It’s one of those guilty pleasures that you have. The last thing that we wanted to do was a serious love song, and it doesn’t get more cheeseball than that. We decided to take the opposite approach.”
80s
Favorite 100 Songs of the 80s: (#45) Toto – Rosanna

Never did a song make me wish I had girlfriend with a specific first name solely so I can play a song for her more than Toto’s “Rosanna” in `1982. Unfortunately I struck out in the girlfriend department during those days seeing I was 11, and in hindsight I’m not confident I even knew a girl in my age realm named Rosanna.
If you’re a fan of Rosanna and maybe even if you’re not it’s well known the song was written for actress Rosanna Arquette. As the story goes Arquette was dating Toto keyboardist Steve Pocaro at the time, ironic considering the song was actually written by band member David Paich and sung by lead vocalist Bobby Kimball. Confused yet?
For the record—the song did nothing to secure Pocaro and Arquette’s long-term future. Arquette broke up with Pocaro not long after Rosanna was released. What a vixen!
I hope it wasn’t because she didn’t like the song, because her taste in music is deplorable if so. Rosanna went on to win the Grammy for Record of the Year in 1983 and based largely on Rosanna the group also won Album of the Year for Toto IV.
Easily one of the best power ballads of the decade. If you don’t agree please stop reading—forever.
Chart Success: Rosanna didn’t quite reach the top of the Billboard Hot 100, peaking at number two. It did remain on the charts for 23 weeks and finished 1982 ranked 14th on the year-end Billboard Hot 100.
Great Lyrics: I would’ve done anything to be able and hit those glory notes like Kimball so effortlessly did.
“I can see your face still shining through the window on the other side
Rosanna, Rosanna
I didn’t know that a girl like you could make me feel so sad, Rosanna
All I want to tell you is now you’ll never ever have to compromise
Rosanna, Rosanna”
Fun Fact: True Toto and more specifically, Rosanna fans will know Patrick Swayze was in the music video, well before he became one of the world’s most recognizable actors. If you watch the video closely Swayze is one of Rosanna’s many suitors and wearing a red jacket. Dirty Dancing fans will recognize the lady who played Rosanna in the video far easier. It’s Cynthia Rhodes, who played Penny Johnson in the iconic 80s movie.
80s
Favorite 100 Songs of the 80s: (#24) Men At Work – Who Can It Be Now

Chances are if grew up during the 1980’s, Men at Work were part of your album collection. Off their first-rate Business As Usual debut came my favorite single, Who Can It Be Now. Truthfully, it’s of the most entertainingly senseless tunes ever recorded. Lyrically it’s no masterpiece. It took many years and air-sax practice to come that conclusion but I’m at peace with it.
I was 11-years old when the single came out and it instantaneously felt rooted into my DNA. I was hooked the first time I heard it—loved the sax playing and unique singing voice I was hearing. Playing Who Can It Be Now became part of my daily routine, such as my morning bagel and glass of chocolate milk.
Everything about this song was is gratifying, from the aforesaid impressive sax playing to the broad rock feel with a marriage to the new wave sound. I’m too young to know if karaoke was a thing in the 80’s but if it were I’d wager this would be one its most popular selections. As a group Men at Work were the Cinderella story of the new wave movement, and by Cinderella I’m talking glass slipper not authors of heavy metal jams like Don’t Know What You Got Til It’s Gone. They came out of Australia and seemingly overnight broke down the walls of American pop music, becoming the top-selling group of 1982.
Their ambush on the Billboard charts was led by Who Can It Be Now (and also Down Under), both soaring to number-one. The former was their first single.
Their success was significantly abetted by MTV, who had their quirky video about a paranoid man alone in his house in heavy rotation.
Who Can It Be Now signified a stimulating time of my pop music/new wave education as a youth back in 1981, and it’s a standard on my IPod playlist during social gatherings to this day.
Chart Success: Who Can It Be Now reached number-one on the Billboard Hot 100 for a week, sandwiched before Joe Cocker/Jennifer Warnes (Up Where We Belong) and after John Cougar (Jack and Diane). It stayed on the charts for a whopping 27 weeks and finished 1982 ranked 30th on the year-end Billboard Hot 100.
Great Lyrics: They lyrics were inspired by lead singer Colin Hay being hunted down by debt collectors. Dude just wanted to be left alone.
“Who can it be knocking at my door?
Go ‘way, don’t come ’round here no more.
Can’t you see that it’s late at night?
I’m very tired, and I’m not feeling right.
All I wish is to be alone;
Stay away, don’t you invade my home.
Best off if you hang outside,
Don’t come in, I’ll only run and hide.”
Fun Facts: Business As Usual album spent 15 weeks at number-one on the U.S. Billboard charts, a record at the time for a debut album. Down Under also gave the album a lot of support, joining Who Can It Be Now as chart topper Billboard singles. Unfortunately the band didn’t exactly have staying power. They put out two more albums before the band bottomed out and broke up: Cargo (1983) and Two Hearts (1985).
80s
Favorite 100 Songs of the 90s: (#96) Bruce Springsteen – Secret Garden

(Daily disclaimer— This is a countdown of my personal 100 favorite songs of the 90’s, not necessarily the most commercially and/or critically successful tunes.)
“Secret Garden” marinated for a few years before Bruce Springsteen finally unleashed it. Per Songfacts.com, Springsteen originally wrote this for his “Human Touch” LP in 1992 but decided against including it on the album. He waited three years to actually record it and eventually released it on his 1995 album.
Of course, the song is best known for being featured in the iconic movie Jerry McGuire. I fell in love with this song far more than Renee Zellweger. It’s a superb, affectionate ballad about a woman clearly burned before and now has her wall up in relationships with men.
“Secret Garden” only enjoyed moderate success commercially. It landed as high as No. 19 on the Billboard Hot 100 (as high as five on the Adult Contemporary chart) and finished 1997 ranked 77th on the year-end Billboard Hot 100.
Who cares.
Springsteen had already long left a lasting mark on mainstream American in the 1980s, yet “Secret Garden” displays some of his best work and certainly among his most tender.
“Secret Garden” is an undervalued gem from The Boss.
Fun fact— Springsteen’s one of just five acts who makes at least one appearance on both this 90s and my previous 80’s countdown.
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